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I am an artist, researcher and curator.
My visual work is a remembrance of pre-Columbian spirituality, with subjects regarding Mortality, Afterlife, the Sacred, the Supernatural, Mother Nature, and Cosmology. Similarly, my academic research investigates visual expressions of pre-Columbian metaphysics, mysticism, and ethnobotany, e.g., the iconography of Teotl (Sacredness or Divinity) and Ayahuasca (The Vine of The Soul).

My sensibility is shaped by my venture with Shamanic entheogenic plant medicines and exposure to rural Mexican Folklore. Accordingly, my endeavors align with philosophical attitudes towards Indigeneity, Mexicanidad, Surrealism, and Transcendentalism. 

Mimicking Mother Nature's formations, patterns, and movements have become the heart of my visual language, inspiring the biomorphic composition of lines, colors, and shapes in my work.

Concurrently, Indigenousity, Surrealism, and Biomorphism express the visionary spirit world described in pre-Columbian shamanism. Ultimately, my art practice is the pursuit of the Mystic, to comprehend the wisdom embedded in Nature's forms, patterns, and movements. If the mystical text is an experiment in saying the unsayable, then the mystical image is an experiment in seeing the incomprehensible. My work reflects a spirituality of self-reflection and teaching. 

My principal methods are Surrealist Automatism and Spiritualist Channeling. I compose an ecstatic vision of otherworldly landscapes and characters, complimented by a channeled series of invented occult glyphs alluding to evocations, incantations, and ancestral knowledge. At times, the image's main subject is a single esoteric glyph, much like Mesoamerican hieroglyphs.